Komplete audio 6 timecode
- Komplete audio 6 timecode generator#
- Komplete audio 6 timecode update#
- Komplete audio 6 timecode driver#
- Komplete audio 6 timecode manual#
- Komplete audio 6 timecode full#
Power: Built-In Lithium Polymer Battery, up to 35 hrs Operating Time, Fast Charging via USB-C (max. I do own a MOTU1408 MK III audio interface(an old dinosaur, bought in 2003), and picked up a 5.1 controller SPL SMC 2489 a few years later, 'just in case'.
Komplete audio 6 timecode driver#
LTC Timecode: According to SMPTE-12M Standardĭrift: High Precision TCXO: Accuracy Less than 1 Frame Drift in 24 Hours (-30☌ to +85☌)įrame rates: 23.98, 24, 25, 29.97, 29.97DF, 30 As an audio interface, i have my daily driver Komplete Audio 6 just for the simplicity of it. Designed and manufactured in Köln, Germany.High precision TCXO: accuracy with less than 1 frame drift in 24 hours (-30☌ to +85☌).Generates All SMPTE timecode rates or jam-sync to any external timecode source.Tentacle Clamp locks a right-angle mini jack connector.Two Tentacle Sync Studio Software Licenses included.Frame rate and TC output level adjustable via Tentacle Setup App (iOS/ Android/ macOS/ Windows).Syncing over Bluetooth 5.0 (Low Energy) for monitoring and setup via phone or tablet.The Tentacle SYNC E combined with our TRACK E timecode audio recorder is the perfect workflow solution for any video shooting from YouTube and Wedding applications to Multicam setups as well as post production syncing tasks. The Set also includes the renowned Tentacle Sync Studio Software for macOS, for fast and easy synchronization of your audio and video footage. You can buy the time codes here from NI or from a local store close to you. Also you need Traktor Scratch (i guess that you have, if as you have Audio6). if you have Audio6 and you want to play with cd players you need timecodes. The Standard Set, with two SYNC E mkII devices, is a complete hardware/software solution offering timecode synchronization over Bluetooth. i dont understand what do you mean ''komplete'' and ''audio 6'' i guess you have Audio6 sound card.
Komplete audio 6 timecode full#
Everything else is as good as always: same precision, same size and weight, same features, full compatibility with all Tentacle devices and same prize.
The rest of the improvements you won’t recognize, but make the production much easier to handle. We have made it ready for the future with Bluetooth 5.0 and improved battery management.
Komplete audio 6 timecode generator#
We're in the planning stages now for this year's show.The new Tentacle SYNC E mkII timecode generator is based on the well-known SYNC E. I then go trolling through the performances and do a cut and spot of the ISO's. The hot mix is time stamped as well, so when I get the AAF draft cut, I can see all of their selects when I look at the TC in the metadata.
Komplete audio 6 timecode manual#
The manual conform is the only hard part of the process. We're a Premiere house, but I'm interested to see if it can be pulled off this way. Obvs be trickier where dress rehearsals etc are on different days but in theory it should work?
Komplete audio 6 timecode update#
So now when the editor does a cut down and sends you the fine cut (say starting at 10.00.00 still but everything rearranged) you use EdiLoad to update the first conformed session.Īll pie in the sky as I've never used EdiLoad but it does seem to be what they offer. You import that and paste your recording session across that conform. say the original session is recorded against time of day from 10.00.00 to 17.00.00Įditor creates edit with hotmix stereo wavs for that time span (he can 'autosequence' in avid + they'll create a timeline correctly) + exports an AAF I wonder if you could do it with EdiLoad.Į.g. This is convoluted, but it's how we do it. Yes, math is involved when the music directors and show producers begin to mix and match things and believe me, they will. Because everything is TC locked, I manually go through each performance and copy the selected song ISO's and spot them into the show edit 1 hour and mix.ĮDIT: This is all done by making the original show day TC viewable in the clip view. I import the AAF (the broadcast edit) into the session and spot it 1 hour. The shows are spotted to the TC that they we're recorded at (Dress 11:00:00, Show 1 15:00:00 and Show 2 17:00:00). The editor cuts the selects (using the stereo hot mix) into a show and sends me an AAF. They make selects based on the two performances and dress rehearsal. We do a hot mix that is sent to the video truck, while all of the room, choir and spot mics are ISO'd to PTĪt the conclusion of the last show of the day (we record the dress rehearsal and two main shows), the hot mix is given to the school music directors, show producer and editor. Video is captured to disk and all audio is recorded into a Pro Tools session from the desk via DANTE. Both video and audio world are synced with TOD TC. The shows are captured multicam events with a full video and audio truck. We do this every year for college Christmas concerts.